Skip to content

Recontextualization

Robert Rackley
Robert Rackley
1 min read
Recontextualization
SF59 Dejame Dormir

When I heard that Starflyer 59 was releasing a new album hot on the heels of their critically acclaimed 2024 record Lust For Gold, I was a bit surprised. Once I dove further into the concept for the record, though, I began to understand why the band was able to put this out so quickly. This isn’t a collection of new songs, but rather a reimagining of previous material in a gently soporific, slumber-inducing format. I wasn’t sure about the premise, but I have to admit to being fond of the results.

The collection comes off as very similar to the Lullaby Renditions of… series that came together almost two decades ago. The series took the songs of popular bands and recreated them in a format that sounded like lullabies. Tracks by Nirvana or Radiohead or even Led Zeppelin were transformed into something that you would hear coming from the plastic mobile rotating over an infant’s crib. If it sounds hokey, maybe it was a bit, but somehow it worked. We had the volume dedicated to The Cure and used to play it to get my oldest son to settle down when he was a baby.

While the stylistic shift is effective in a certain way, it usually leaves me with a desire to go back and listen to the original song. That's certainly true here, especially on tracks like "When I Learn To Sing" (one of my first Starflyer discoveries and still a favorite).  Additionally, as is true in most of these sorts of collections, some songs work well in the new format and some are not as adaptive.

While I don't imagine picking this album up on a regular basis during the day, it makes for a pleasant night cap.


FavoriteNoise

Robert Rackley

Orthodox Christian, aspiring minimalist, inteverate notetaker, budget audiophile and paper airplane mechanic.


Related Posts

Members Public

No One Is Lost

No One Is Lost by Stars My wife and I have long been devoted to music from the band Stars. It’s hard to pick a favorite album, but I especially treasure a few of the songs on No One Is Lost. The 2014 album was recorded in a studio

No One Is Lost
Members Public

Stop Me If You Think That You’ve Heard This One Before

One testament to my affection for the Smiths is the fact that I desperately wanted to hate them. My girlfriend in high school sung their praises, but we weren’t totally in sync in the music department. I was turned off by what I saw as the pretentiousness of Morrissey,

Members Public

King Cnut

London-based outfit Mandrake Handshake has something like a psychadelic+ sound. Or as they call it themselves—flowerkraut. They probably owe as much to Stereolab as anyone else. In their song “Hypersonic Super-Asterid,” they actually use the phrase “metronomic underground," which is the first track from Stereolab’s Emperor Tomato