Skip to content

Flux Observer

A podcast idea that has me hooked.

Robert Rackley
Robert Rackley
1 min read
Flux Observer
Image: Metallica - Metallica

Adam Wood hosts a show called Flux Observer that features one of my favorite podcast concepts: Wood reviews a cultural artifact from years ago to determine how his relationship to it has changed over the years. I've always wanted to do something like this, though I never considered doing it via a podcast. For years I've talked about revisiting albums that I enjoyed years ago to write about how well they hold up.

The latest episode of Flux Observer is an examination of Metallica's S/T record from 1991 (also known as "The Black Album).

"The Black Album" was a huge commercial success, but I always dismissed it as a product from a band past their prime. I had been into the earlier output from Metallica when I was going through a bit of a thrash phase and grouped them with Anthrax and even D.R.I. Master of Puppets was my jam, Metallica at their most potent. By the time the black album came out, it felt like time to move on (and indeed I did). I remember an almost sleepless night at my cousin Andy's house, seeing "Enter Sandman" played multiple times on MTV and just wanting to escape it.

Wood's enthusiasm for Metallica comes through in his vivid memories but the years that mark his distance from the work allow him to dissect some of the more complex themes, as when he goes into the meaning of "The God That Failed" and what Stephen King refers to as "dark Christianity." I'd urge a listen, even if you don't love this particular album, just to appreciate the experiences and insights that another person retrospectively analyzing one of their their treasured pieces of art can yield.

Noise

Robert Rackley

Mere Christian, aspiring minimalist, inveterate notetaker, budget audiophile and paper airplane mechanic. Self-publishing since 1994.


Related Posts

Members Public

Don’t Panic

Despite seemingly being designed by a corporation to be mostly inoffensive, sometimes to the point of banality or worse, Coldplay launched into the world consciousness hot, with “Don’t Panic,” the song in the pole position on their debut album Parachutes. Though I feel more generosity towards Chris Martin and

Members Public

Heart Still Beats

I’ve been on a post-punk x new wave kind of kick the last several days, after I learned Black Marble (who I blogged about last year) are going to be playing nearby in September. The algorithmn overlords recommended Castlebeat to me after the end of a listening sesh of

Members Public

Memory Tape

Niko Stratis writes about the comfort of physical media and older technology. Let us suffer no worries or troubles, we have salvation in our walkmen and their analogue batteries. Never mind the truth of these eras, the 90s and the days before and after are years often cast in imperfect