Skip to content

Duett - Leisure

Duett channels the sounds of the 1980's on their pastel-infused album Leisure.

Robert Rackley
Robert Rackley
1 min read
Duett - Leisure

Duett has been around for a while, but just came to my attention via Bandcamp's Instagram account last week. I was drawn in by the stylized artwork and colorful pastels on the album cover of their newest offering, Leisure. The contents of the album sound exactly like you would expect from looking at the cover. Over-the-top synths bathe the listener in the color palette of the 1980's. The aesthetic is so completely intact, that the opening track, "Gallery," sounds like it was pulled from an 80's film about Wall Street.

At times, the synthisizer parts sound a bit like a softer, more radio friendly, Com Truise or a band on Jim Smith from Teeel's Synth Recordings label. While the synths dominate, though, there are other instruments that also cling tightly to the sounds of the Regan era. Ostentatious guitar solos pop up in places like the track "Lifetime" and remind you of the chase scenes that were a staple of blockbusters and b-movies alike back then.

Most of the album is instrumental. It's a surprise when, the vocals appear four songs into the affair, in "About You." With vocals in the mix, the band reminds me of Sophie and Peter Johnston, albeit with less range and variation.

You won't find a shortage of bands showing their allegiance to the sonic staples of the 80's. I'm not tired of it yet, though. I need that nostalgia to get me through this decade. I'll happily daydream of John Hughes movies and DeLoreans while listening to Duett.

Noise

Robert Rackley

Mere Christian, aspiring minimalist, inveterate notetaker, budget audiophile and paper airplane mechanic. Self-publishing since 1994.


Related Posts

Members Public

Don’t Panic

Despite seemingly being designed by a corporation to be mostly inoffensive, sometimes to the point of banality or worse, Coldplay launched into the world consciousness hot, with “Don’t Panic,” the song in the pole position on their debut album Parachutes. Though I feel more generosity towards Chris Martin and

Members Public

Heart Still Beats

I’ve been on a post-punk x new wave kind of kick the last several days, after I learned Black Marble (who I blogged about last year) are going to be playing nearby in September. The algorithmn overlords recommended Castlebeat to me after the end of a listening sesh of

Members Public

Memory Tape

Niko Stratis writes about the comfort of physical media and older technology. Let us suffer no worries or troubles, we have salvation in our walkmen and their analogue batteries. Never mind the truth of these eras, the 90s and the days before and after are years often cast in imperfect